Substance Painter Levels effect

I made a tutorial explaining how to use the Levels effect in Substance painter for Height maps and Roughness maps.

You can find the PDF here:


Rendering light sources

The funny thing is that there are thousands of references available on how a light affects an object. But the amount of references available on how the light itself looks you can count on one hand. I once found a scientific paper, but that’s about it. Perhaps that is why very few people get it right. Often you see an emissive sphere with a flare sprite slapped on top of it. But that is a far cry from a physically based approach, which I will describe here.

Most lights have a lens, which makes them either highly directional like a flashlight, or horizontally directional, the result of a cylindrical Fresnel lens. This directional behavior is simulated with a phase function which shows nicely on a polar graph. Here you can see two common light radiation patterns:


The blue graph has the function 1 + cos(theta*2) where theta is the angle between the light normal and the vector from the light to the camera. The output of the function is the irradiance. Adding this to the shader gives the lights a nice angular effect.


Next is the attenuation. Contrary to popular belief, focused lights (in the extreme case, lasers) still attenuate with the inverse square law, as described here:…distance-grows-similar-to-other-light-sources

But contrary to even popular scientific belief, lights themselves don’t behave in quite the same way, or at least not perceptually. The inverse square law states that the intensity is inversely proportional to the square of the distance. Because of this:


You see this reference all over, for example here:


Yet the light itself is brighter than bar number 4, which is about at the same distance as the light to the camera. The light itself doesn’t seem to attenuate with the inverse square law. So why is this? Turns out that in order to model high gain light sources (such as directional lights), you need to place the source location far behind the actual source location. Then you can apply the inverse square law like this:


Note that highly directional lights have a very flat attenuation curve, which can be approximated with a linear function if needed in order to save GPU cycles.

Some more reading about the subject here (chapter Validity of the Inverse Square Law):

One other problem is that the light will disappear if it gets too far from the camera. This is the result of the light being smaller than one pixel. That is fine for normal objects but not for lights because even extremely distant or small lights are easily visible in real life, for example a star. It would be nice if we would have a programmable rasterizer, but so far no luck. Instead, I scale the lights up when they are smaller than one pixel, so they remain the same screen size. Together with the attenuation, this gives a very realistic effect. And all of this is done in the shader so it is very fast, about 0.4 ms for 10.000 lights on a 780ti.

Since I made this system for a flight simulator, I included some specific lights you find in aviation, like walking strobe lights (also done entirely in the shader):


And PAPI lights, which are a bit of a corner case. They radiate light in a split pattern like this (used by pilots to see if they are high or low on the approach):


Simulated here, also entirely in the shader.


Normally there are only 4 of these lights in a row, but here are 10.000, just for the fun of it. They have a small transition where the colors are blended (just like in reality), which you won’t find in any simulator product, even multi million dollar professional simulators. That’s a simple lerp() by the way.

I should also note that the shaders don’t use any conditional if-else statements but use lerp, clamp, and scaling trickery instead. So it plays nice even on low-end hardware.

Released for free, but with limited support:!/content/46409

Controls: same as in the editor.
Speed up/slow down: 1 and 2 (not numpad)
Bloom is SE natural bloom.
It looks best in fullscreen.
Note that the frame rate is much higher in a standalone build.